Understanding the "Japanese Mother in Law Poem": Miyuki, Cultural Clash, and Colonial Mentality
By Academic Editorial Team | HND English Literary Review | Status: Draft for Academic Review
Why Do Students Search for "Japanese Mother in Law Poem"?
Across Sri Lanka's Higher National Diploma in English (HNDE), G.C.E. Advanced Level English Literature, and undergraduate university examinations, one of the most frequently revisited Sri Lankan English poems is Jean Arasanayagam's "Mother-in-Law". When studying this poem, students frequently search online using the keyword phrase "Japanese mother in law poem". This search term does not refer to a traditional Japanese haiku or tanka; rather, it originates from one of the most satirical and culturally incisive sections of Arasanayagam's poem: the prolonged conversation between the orthodox Jaffna Hindu matriarch and a Japanese visitor named Miyuki.The Literary Context: Who is Jean Arasanayagam?
Jean Arasanayagam (1931–2019) was one of Sri Lanka's foremost poets and writers in English. Born into a Dutch Burgher family in Kandy, her marriage to a Hindu Tamil gentleman from Jaffna plunged her into a complex web of cultural negotiations, caste traditions, religious rituals, and political turmoil (most famously chronicled during the 1983 anti-Tamil riots in her collection Trial by Terror). In "Mother-in-Law," Arasanayagam casts an uncompromising, ironic eye on the daily domestic rituals and deep-seated prejudices of her husband's mother, capturing the friction between traditionalism and westernized modernity.Detailed Breakdown of the Miyuki Encounter
Toward the latter half of the poem, the domestic sphere expands outward to include an international observer. The mother-in-law engages with Miyuki, initiating a dialogue that lays bare her worldview:"She makes profound statementsabout the English language to Miyuki:
'English is the greatest language in the world, everybody in the world know English Even in Africa they all speak English no?' 'Which country you are from?' she continues: 'Japan? Ah! In Japan there is great pagoda. Did you know Toya Menka Kaisha? Where are you studying? You want to know who am I? I am their father's mother,' she says pointing to the grandchildren. 'My son luv marriage. They met in University. My son in England also luv marriage,' pointing to a photographof her grandchildren she says with pride:
'Just like England children no?'"
Key Critical Themes in the Episode
Despite her religious orthopraxy—scrupulously offering the first rice ball to crows (the vahanam of Lord Sani) and shunning Christian "flesh eaters"—the matriarch unhesitatingly declares English "the greatest language in the world." She measures international status through the lens of British colonial prestige.
When addressing Miyuki about Japan, her knowledge spans ancient Buddhist pagodas and Toya Menka Kaisha (a major Japanese multinational conglomerate). This incongruous pairing reflects how rural traditional elders assimilated fragments of global trade and international news.
While the matriarch laments that her daughters-in-law do not observe strict Jaffna customs, she simultaneously boasts to the foreign guest that her grandchildren were born of university "love marriages" and look "just like England children."
Arasanayagam captures authentic Sri Lankan colloquial syntax ("Even in Africa they all speak English no?", "luv marriage", "Just like England children no?"), infusing the verse with psychological realism and gentle satire.
HND English
Frequently Asked Questions (FAQ)
Q: Is there an independent Japanese poem titled "Mother-in-Law"?
No. The popular search phrase refers directly to Jean Arasanayagam's Sri Lankan poem where a Japanese girl named Miyuki is addressed by the titular character.
Q: What syllabus includes Jean Arasanayagam's "Mother-in-Law"?
It is taught in the SLIATE Higher National Diploma in English (HNDE) curriculum under Sri Lankan Literature, as well as selected Sri Lankan national university undergraduate syllabi.