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Stopping by Woods on a Snowy Evening

By Admin • January 09, 2021 • 4,043 views
Stopping by Woods on a Snowy Evening
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By Robert Frost Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there's some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. 36 EN1215_British & American Literature_content credits to original creators_Uploaded by Nisal Wanigasuriaya The Poet Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. His work was initially published in England before it was published in America. He is highly regarded for his realistic depictions of rural life and his command of American colloquial speech. His work frequently employed settings from rural life in New England in the early twentieth century, using them to examine complex social and philosophical themes. One of the most popular and critically respected American poets of the twentieth century, Frost was honored frequently during his lifetime, receiving four Pulitzer Prizes for Poetry. He became one of America's rare "public literary figures, almost an artistic institution." He was awarded the Congressional Gold Medal in 1960 for his poetical works. Introduction In "Stopping by Woods on a Snowy Evening," Robert Frost contemplates death. The setting symbolizes death. There's a "frozen lake" nearby a woods filled up with snow on the "darkest evening of the year." The speaker is enchanted with the woods, death, and stops to ponder. The rhyme scheme, with one line of rhyme present in each preceding stanza, mirrors the thought of death reaching into the speaker's thought. Although the woods become inviting to the tired traveler, as death does for some, the speaker realizes he cannot yet stop and rest because of his "promises" (14). The last two lines seems to be a lament at what lies ahead--a long life without rest. Frost's poetry often focuses on beautiful images—snow falling on quiet woods, gently swaying birch trees— close readers of his poetry have often noted that his verse seems to hint at something darker. Poetry also illuminated the darkness in Frost's own soul. The same guy who wrote "Stopping by Woods on a Snowy Evening" could be depressed, jealous, vengeful, and unstable. His life was rocked by tragedies and the mental illness and depression that ran through his family, afflicting his parents, his sister, his wife, and two of his six children. Four of Frost's children died before he did. His poems are about nature and the American Northeast, but they are also about darkness, about the thin line that separates humans from the wild, our personalities from the darkness of the subconscious. Summary On the surface, this poem is simplicity itself. The speaker is stopping by some woods on a snowy evening. He takes in the lovely scene in near-silence, is tempted to stay longer, but acknowledges the pull of obligations and the considerable distance yet to be traveled before he can rest for the night. . The poem begins with the poet travelling through thick wilderness to reach his destination on the darkest evening of the year. The beautiful dark woods mesmerize the poet and he stops his carriage to look at the trees fill up with snow without worrying much about getting caught for this trespass as the owner lived far away in the village. His horse, bewildered by the absence of a farmhouse near; shakes his harness bells questioningly as if expressing his doubt regarding the poet‘s choice of place to stop at. This pulls the poet from his trance and he takes his leave very shortly in spite of wanting dearly to revel a little more in the seductive charm of the woods. He realizes that rest and indulgence in nature‘s beauty was something that he could not afford at that moment since he had long distances to cover that night. Beginning of the poem talked about woods. In the second stanza Frost refers back to the woods. Then in the last stanza Frost mentions woods again. Even though the narrator has a long way to go, he always has enough time to stop and watch the small thing in nature in detail. This goes to show that Frost‘s interest in nature is very large, and he portrays this through his characters. He describes the woods as lovely, dark, and deep. Death, to some, is lovely. It is definitely dark, and the grave is deep. When he is in the woods he is far away from the city. The city can be considered a symbol of life. There is always a lot going on in a city. He knows that it is not his time to die, and he cannot stay in the peaceful woods. His horse reminds him that it is not his time to die by making noise and disturbing the serenity of his moment or death. At the end of the poem the line 37 EN1215_British & American Literature_content credits to original creators_Uploaded by Nisal Wanigasuriaya referring to miles before he can sleep lets the reader know that the narrator still has some time to continue his life before his death. ‗Miles to go‘ also means something to do before his death. Figures of Speech Alliteration Alliteration is, of course, the repetition of initial (beginning) consonant sounds, and examples of it can be found in nearly every line of this poem. Note the examples of alliteration in the first stanza Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow The consistent use of the initial -S, -Th, and -W sounds is alliteration. Notice that whose actually belongs with the "H" words, since it is the sound and not the letters that create alliteration Metaphor Comparison of the sound of the bells to a questioning voice that asks whether there is a mistake He gives his harness bells a shake, To ask if there is some mistake. Lines 1, 4, 7, 13: Some interpret the woods as an extended metaphor for death. Personification Personification is giving human qualities to something non-human or non-living, and the only real example of it in this poem is the horse who can "think" and "ask." My little horse must think it queer(…) (..) To ask if there is some mistake. Exaggeration Exaggeration is a little more difficult to find, because it is quite possible that what the speaker says is true; The darkest evening of the year It is the superlatives in the first one (darkest evening of the entire year) and the repetition of the second (miles and miles) which suggest they are at least somewhat exaggerated. Structure and Meter The poem consists of four stanzas, each with four lines. (A four-line stanza is called a quatrain.) Each line in the poem has eight syllables (or four feet). In each line, the first syllable is unstressed, the second is stressed, the third is unstressed, the fourth is stressed, and so on. Thus, the poem is in iambic tetrameter. An iamb is a foot containing an unstressed syllable followed by a stressed syllable. A tetrameter is a line of poetry or verse containing four feet. The end rhyme in the poem is as follows 38 EN1215_British & American Literature_content credits to original creators_Uploaded by Nisal Wanigasuriaya First stanza, aaba Second stanza, bbcb Third stanza, ccdc Fourth stanza, dddd Symbols Robert Frost's poem Stopping by the Woods symbolizes a journey of life and a movement towards death. Almost every single element in the poem in that sense is symbolic of something. The cold and the dead of night and the frozen lake in the woods, the 'darkest evening of the year' --all these elements build an ambiance where the immanence of death is at odds with the indomitable spirit of love, as exemplified by the traveller. The owner of the woods is referred to but his name has not been mentioned. This can be a reference to the mystic and almost unnamable presence of god. The oath of the traveller to go on come what may, keeping his promises before he has to submit to the final call of death, an eternal sleep of sorts. The end of the poem is thus replete with philosophical symbolism. Themes Nature Like many of Frost's poems, 'Stopping by Woods on a Snowy Evening' deals with the contemplation of nature. Many readers debate about whether or not the tone of the poem is calm and serene, or dark and depressing. On the one hand, the speaker wants to take a moment to pause in a quiet spot to watch the snow falling, perhaps to soothe his mind and contemplate nature. The pull of the woods could just be the solitude of being alone and the lure of being free of responsibilities. Further ,this poem presents nature as a standard of beauty that is so strong that it captures the speaker's attention and makes him or her halt whatever they are doing. There are not many descriptive words used to convey what it is that the speaker finds so beautiful, only "lovely," "dark" and "deep." Of these, "lovely‖ simply restates the whole idea of the poem, which most readers would already have gotten a sense of from the speaker's tone and actions. The darkness of the woods is an idea so important that it is mentioned twice in this poem, emphasizing a connection between beauty and mystery. The emphasis on darkness is strange, and more obvious because the poem takes place on a snowy evening, when the dominant impression would have been the whiteness blanketing everything. Death A darker interpretation of the poem addresses exhaustion with life and a longing for death. The speaker tells us that it's 'the darkest evening of the year,' and the darkness, the isolated spot, and the cold, frozen lake don't sound like a very inviting place to stop and commune with one's own thoughts (ll. 7-8). The season of winter in literature is typically associated with death and darkness and the setting symbolizes death. There's a "frozen lake" nearby a woods filled up with snow on the "darkest evening of the year." The speaker is enchanted with the woods, death, and stops to ponder. The rhyme scheme, with one line of rhyme present in each preceding stanza, mirrors the thought of death reaching into the speaker's thought. Although the woods become inviting to the tired traveler, as death does for some, the speaker realizes he cannot yet stop and rest because of his "promises" (14). The last two lines seems to be a lament at what lies ahead--a long life without rest. The deeper analysis is that frost is saying the woods are lovely, but being there is depressing. When he says that he has promises to keep, it means that he either figured out what was bothering him or if he didn‘t, he at least figured out that there‘s more to life and that he has things that he should do. When Frost says that he has miles to go before he sleeps, he is saying that he has a lot of living to do before he dies. Frost wants to emphasize the fact that he has a lot of living to do, so he repeats the line.
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